The Wave is a sandstone rock formation located in Arizona, United States, near its northern border with Utah. The formation is well–known among hikers and photographers for its colorful, undulating forms and the difficult hike required to reach it. Due to the fragile nature of the formation and the large number of people wishing to visit it, a daily lottery system is used to dispense only ten next–day permits.
Speicherstadt (lit. city of warehouses) in Hamburg, Germany is the largest warehouse district in the world where the buildings stand on oak logs along canals near the Elbe. The district was built from 1883 to 1927 as a free zone to transfer goods without paying customs. The warehouses were built with different support structures, but Andreas Meyer created a Neo-Gothic red outer layer with little towers, alcoves, andglazed terra cotta ornaments. The warehouses are multi-storey buildings with entrances from water and land. Over the last years the area has been renovated to have museums, offices and entertainment options, but the old feel of the area remains. At sunset, the Speicherstadt is engulfed in a mysterious atmosphere when the facades of the red brick buildings and steel bridges are artfully illuminated.
About 6 kilometers south of Dunhuang city in China, and surrounded by the Echoing-Sand Mountain, Crescent Lake can be called a natural wonder in the Gobi Desert. Actually, it resembles a crescent fallen down into the desert. Crescent Lake sits on the edge of an ancient city that once saw traders embark on their journey along the Silk Road to the West. Since the 1960’s the depth of the lake continually declined, but in 2006 the local government with help of the central government started to fill the lake and restore its depth. Its depth and size have been growing yearly since then.
Geamana is an abandoned village in Romania. The place makes for some intriguing pictures but it has a very sad story. In 1978 the communist regime forced the inhabitants of Geamana to move out so that an artificial lake could take its place that served as a kind of catch-basin for the nearby Roșia Poieni’s copper mine contaminated sludge to flow into. The lake, is a giant crater, filled mostly with acid red water. The tower of the church, the roofs of a few houses and various dead treetops are the only remnants today.
Drawing from an archive of collected material, Suzanne Moxhay creates intricate and complex photomontage images. Her method was derived in part from the early filmmaking technique of matte painting, where backdrops were painted on sheets of glass and integrated by the camera with the live-action on set. She builds up the image in her studio using cutout fragments of source material, which she makes into small stage sets on glass panels. She then re-photographs the sets and manipulates the images digitally, an act of reprocessing which takes them further away from their original context and broadens the narrative potential. Her source material is drawn from an archive of collected imagery, from mid 20th century books and magazines to contemporary found photographs as well as her own photographs and paintings…
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