Tomohiro Inaba is attracted to iron as a material among other reasons because it begins to rust and decay upon contact with air, practically the moment it is created. Though made from solid wire, many of his works appear freely woven. Like caught between two dimensions, start off anatomically perfect, but they end in to disintegrate into thin air.
Korean sculptor Lila Jang has created surreal versions of 18th-century French furniture. Tables, chairs, desks, and stools are transformed from ordinary to extraordinary. Living in a tiny Parisian apartment, Jang found joy in escaping monotony by bending furniture into shape so these could fit into the tiny space.
Says Jang, “My work represents who and where we are as human beings: in the midpoint of that constant struggle between reality and the ideal.”
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Artist Jim Dingilian has an unconventional way of creating art. Instead of crafting images with paint or graphite, he uses smoke as his medium. His drawings are created with candle smoke inside empty glass bottles and are reminiscent of some forgotten 19th-century imaging technique. The artist begins by coating the bottles’ inner surfaces with smoke, and then uses brushes and small implements mounted on the ends of dowels to reach inside and slowly, selectively erase certain areas. The smoke, which remains on the glass, forms the images.
Fingal’s Cave, a sea cave on the uninhabited island of Staffa off the west coast of Scotland, is formed entirely from hexagonally jointed basalt columns within a Paleocene lava flow. Its size and naturally arched roof, and the eerie sounds produced by the crashing sound of the waves against the rock are overwhelming. The cave’s Gaelic name, An Uaimh Bhinn, means “the melodious cave.”
With Beneath Cold Seas, David Hall highlights his work in the frigid waters of the Pacific Northwest, home of the diverse and visually spectacular marine life of this cold-water ecosystem. From tiny, candy-striped shrimp to giant Pacific octopus, rockfish schooling among kelp to orchid sea stars, Hall’s stunning photographs reveal both the symbiotic and predatory relationships that can be found in these waters.
Alex Timmermans never imagined that a photographic process, which have been invented by Archer more than 160 years ago,was going to have such an influence on his passion for photography. Alex Timmermans, born in 1962, is a self-made photographer with a strong liking for ancient photographic techniques.He practiced photography throughout his whole life, starting with a Nikormat ftn. The change from analog to digital seemed to be a logical step. However, the excitement and magic of films got lost during this change; everything became more predictable … too predictable.Working on the wet plate process made photography inspiring again. Being able to use antique camera’s and brass lenses with a glorious photographic history like Dallmeyer, Hermagis and Darlot. It is pure because of the possibility to use ‘simple’ chemicals to reproduce amazingly detailed pictures. In this photographic process, coincidences will greatly influence the result. Apart from working with chemicals, these coincidences can be caused by the many different weather conditions as well.
Band-e Amir National Park located in Afghanistan is a series of six turquoise lakes separated by natural dams made of travertine, a mineral deposit. The beautiful lakes were created by the carbon dioxide rich water that is drawn from the spring melt-water in the surrounding mountains and came out from faults and cracks in the rocky landscape. The site of Band-e Amir has been described as Afghanistan’s Grand Canyon. The contrast between the deep blue waters and the barren mountains is absolutely stunning.
In Nocturne: Creatures of the Night Traer Scott features 42 intimate portraits of nocturnal animals. Scott sets her subjects against dark backgrounds. The result is a “very controlled” and “minimal” look. “I wanted it to feel like the viewer was seeing an animal that had just emerged from the darkness and someone had shined a flashlight on it,” Scott said in an interview.
Trina Merry body paints people to blend with their surroudings. Her models have been photographed near famous landmarks around New York City, including the Brooklyn and Manhattan Bridges, Central Park, the Guggenheim Museum and the iconic towers of downtown Manhattan.
“Bodypaint creates a special connection to a person that other visual art forms have trouble accomplishing; it’s a distinctly human experience.” Merry says she came up with the idea for the series after moving to New York from the San Francisco area this year.